Favorites
Books
Twentieth Century Music
Twentieth Century Music: An Introduction | Eric Salzman
Twentieth-Century Music: A History of Musical Style in Modern Europe and America | Robert P. Morgan
Techniques of the Contemporary Composer | David Cope
The Rest Is Noise: Listening to the Twentieth Century | Alex Ross
Electronic Music
Electronic and Computer Music | Peter Manning
The Cambridge Companion to Electronic Music | ed. Nick Collins
Electronic and Experimental Music: Pioneers in Technology and Composition | Thomas B. Holmes
The Computer Music Tutorial | Curtis Roads
Instrument & Extended Technique
The Contemporary Violin: ExtENDed Performance Techniques | Allen Strange
How to Write for PERCUSSION | Samuel Z. Solomon
New Directions for Clarinet | Phillip Rehfeldt
Oboe Unbound: Contemporary Techniques | Libby Van Cleve
Compendium of Modern Instrumental Techniques | Gardner Read
The 21st Century Voice: Contemporary and Traditional Extra-Normal Voice | Michael Edward Edgerton
Music Notation
Music Notation in the Twentieth Century: A Practical Guidebook | Kurt Stone
New Music Vocabulary | Howard Risatti
Perspectives on Notation and Performance | Boretz Benjamin
Twentieth Century Music Theory
Introduction to Post-Tonal Theory | Joseph N. Straus
Materials and Techniques of 20th Century Music | Stefan Kostka
Twentieth-Century Harmony: Creative Aspects and Practice | Vincent Persichetti
The Structure of Atonal Music | Allen Forte
Simple Composition | Charles Wuorinen
Analytic Approaches to Twentieth-Century Music | Joel Lester
Schenkerian Analysis
Analysis of Tonal Music: A Schenkerian Approach | Allen Cadwallader and David Gagne
Unfoldings: Essays in Schenkerian Theory and Analysis
Five Graphic Music Analyses | Heinrich Schenker
Harmony
Harmony in Context | Miguel Roig-Francoli
Tonal Harmony | Stefan Kostka and Dorothy Payne
371 Harmonized Chorales and 69 Chorale Melodies with Figured Bass: Piano Solo
Counterpoint
A Practical Approach to Eighteenth-Century Counterpoint | Robert Gauldin
A Practical Approach to Sixteenth-Century Counterpoint | Robert Gauldin
Modal Counterpoint: Renaissance Style | Peter Schubert
Study of Counterpoint: From Johann Joseph Fux’s Gradus Ad Parnassum | John J. Fux
Counterpoint in Composition | Felix Salzer and Carl Schachter
The Study of Fugue | Alfred Mann
Musical Form
Form in Tonal Music: An Introduction to Analysis | Douglass Green
Practical Approach to the Study of Form in Music | Peter Spencer and Peter M. Temko
Orchestration
Study of Orchestration | Samuel Adler
Technique of Orchestration | Kent Kennan
Thesaurus of Orchestral Devices | Gardner Read
Orchestral Combinations: The Science and Art of Instrumental Tone-Color | Gardner Read
Principles of Orchestration | Nikolay Rimsky-Korsakov
Ear Training & Sight-Singing
The Musician’s Guide to Aural Skills | Jane Piper Clendinning
Music for Ear Training | Michael Horvit, Timothy Koozin, and Robert Nelson
Music for Sight Singing | Thomas E. Benjamin, Michael Horvit, Robert S. Nelson
Music for Sightsinging | Robert W. Ottman
Hearing and Writing Music: Professional Training for Today’s Musician | Ron Gorow
Ear Training for Twentieth-Century Music | Michael L. Friedmann









































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March 6, 2010 : Aura
March 5, 2010 : Current II
March 5, 2010 : York, Nebraska & Chances “R” Restaurant & Lounge
February 20, 2010 : Nodule II
February 19, 2010 : 100 Major II-V-I Bebop Lines Single Key Edition
February 18, 2010 : Aurora, Nebraska
February 17, 2010 : The Sunken Gardens & The Hamann Rose Garden