Driving down to Norman, Oklahoma from where we lived in March was a constant exhibition of boundaries between manifestations of Winter and Spring landscapes in the Midwest.  Frozen cornfields were replaced by greenery bit by bit as we progressed toward southern terrain.  The transformation was visually gradual but emotionally abrupt.  We observed the modulation of scenery with suspicion like timid squirrels.

March in Norman was filled with various flowery colors and charms, forming a delicate seasonal aggregate.  After hours of driving, we were just in time to participate in a music event hosted by School of Music at University of Oklahoma.  We frequented the amiable Campus Corner district and Fred Jones Jr. Museum of Art between paper sessions and concerts.

Concerts and panel discussion session were held in the gorgeous, 1018 seats, Paul F. Sharp Concert Hall and Morris R. Pitman Recital Hall.  One of the most interesting facilities of School of Music at University of Oklahoma is the entrance lobby, known as Grayce B. Kerr Gothic Hall, which also doubles as an intriguing performance with the Mildred Andrews Boggess Memorial Organ custom-built according to the floor design.